Publishing/Writing: Insights, News, Intrigue

10/05/2012

The Intra-Publishing Civil War


Print and Digital Media “Going At It”

What is the intra-publishing civil war, you ask?

It is the stress, fighting and positioning going on between the newer digital publishing aficionados and their legacy print publishing brethren. 

E-book authors still often hear “So, you don’t write real books?”  And money? The majority is still being brought in through print medium.

But, the e-books are pulling in more and more money and increasing their percentages in all areas — resulting in the newcomers brashly asserting that old publishing is dead. More importantly, digital publishing has opened the door to new very successful genres thought unprofitable before by traditional publishers.

This publishing intrigue has been in play in varying degrees for a while, lets watch some of the latest progress as reported by Aleksandr Voinov  in USA TODAY:

Publishing is dead — long live publishing

No day passes without yet another skirmish in what could be seen as a kind of intra-publishing civil war, where the newcomers brashly assert that old publishing is dead and traditional publishing refuses to die. Meanwhile, old publishing continues to account for the majority of all books sold in brick-and-mortar stores, and e-book authors still face the “So you don’t write real books?” questions when they go to conventions and interact with friends and family, most of whom were exposed to e-books only when they received an e-reader last Christmas.

We are in flux. I’m saying “civil war” because here, too, the lines are messy, sides change all the time, and so do positions. Thankfully, there’s less bloodshed, but the implications for the publishing industry and how we write, read, market and interact with each other are enormous. It’s not tidy, it is at times exasperating, and nobody can predict where it’s going — only that e-books are growing, authors are making a good living off e-books, the books on offer are often more colorful and sometimes weirder and “uncommercial” when compared with legacy publishing, and e-books are heralding the creation of whole new genres that legacy publishing, in its necessities of scale, had never truly been able to support.

For example, 10 years ago, I was told that gay romance was unsellable, and was strongly advised by several agents and print acquiring editors to not waste my talent in a niche without a future or financial viability.

Ten years later, I’m not only a writer of gay/bi/trans fiction, but I also part-own Riptide Publishing, a hot young start-up selling GBLTQ stories with a focus on romance. A gay historical romance, The Song of Achilles by Madeline Miller, recently won the 2012 Orange Prize for fiction (and, predictably, faced the critical derision our genre seems doomed to). One of Riptide’s own titles, Stars & Stripes, recently made it into the Barnes & Noble sitewide Top 100. Riptide Publishing is celebrating its first anniversary this month, and already, half a dozen or more of our authors are earning a living off their royalties. So much for gay romance being “unsellable.”

Where many see dangers and change, and some large players are frankly still in denial or trying to turn back the wheel by deliberately making e-books unattractive or too expensive or too hard to find in worldwide markets, other authors and start-ups are creating facts. Being more nimble and more in tune with our readership, small e-book-first presses such as Riptide back genres and books that others find unviable. Overhead is lower, processes are less entrenched, and staff are often younger and steeped more thoroughly in the digital culture. They follow their passions, even when those passions are unlikely to appeal to a mass market. They take risks.

Read and learn more

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05/19/2011

Despite E-Book Popularity, Traditional U.S. Print Title Output Increases


Traditional Print Publishing is Not Going Anywhere...Just Yet

I have touched on this subject several times in the past…Who the hell said print is dead? Because the figures damn sure don’t back up that postulation!

 
This even fresher evidence comes by way of the Bowker bibliographic information database as reported via press release in the Sacramento Bee:
 
Print Isn’t Dead, Says Bowker’s Annual Book Production Report
Traditional publishing grows a modest 5%, while POD sends print total over a record 3 million 

Bowker, the global leader in bibliographic information, released its annual report on U.S. print book publishing, compiled from its Books In Print® database.  Based on preliminary figures from U.S. publishers, Bowker is projecting that despite the popularity of e-books, traditional U.S. print title output in 2010 increased 5%.  Output of new titles and editions increased from 302,410 in 2009 to a projected 316,480 in 2010. The 5% increase comes on the heels of a 4% increase the previous year based on the final 2008-2009 figures.

The non-traditional sector continues its explosive growth, increasing 169% from 1,033,065 in 2009 to an amazing 2,776,260 in 2010.  These books, marketed almost exclusively on the web, are largely on-demand titles produced by reprint houses specializing in public domain works and by presses catering to self-publishers and “micro-niche” publications.   

“These publication figures from both traditional and non-traditional publishers confirm that print production is alive and well, and can still be supported in this highly dynamic marketplace,” said Kelly Gallagher, vice president of publishing services for Bowker. “Especially on the non-traditional side, we’re seeing the reprint business’ internet-driven business model expand dramatically. It will be interesting to see in the coming years how well it succeeds in the long-term.”

In traditional publishing, SciTech continues to drive growth

Continuing the trend seen last year, science and technology were the leading areas of growth as consumers purchased information for business and careers.  Major increases were seen in Computers (51% over 2009, with an average five-year growth rate of 8%), Science (37% over 2009, with an average five-year growth rate of 12%) and Technology (35% over 2009, with an average five-year growth rate of 11%).  Categories subject to discretionary spending were the top losers, perhaps still feeling the effects of a sluggish economy.  Literature (-29%), Poetry (-15%), History (-12), and Biography (-12%) all recorded double digit declines.  Fiction, which is still the largest category (nearly 15% of the total) dropped 3% from 2009, continuing a decline from peak output in 2007.  Religion (-4%) fell to 4th place behind Science among the largest categories.

Top book production categories:

Read and learn more 

   

06/29/2010

Award-winning Author Chooses E-book Over Print Publishing Deal !


Are eBooks starting to win the race with printed hardcover books? This post gives an example of one established, award-winning author who has chosen to bypass a printed publishing deal (hardcover book would have sold for $27.95) for publishing on Amazon for $1.99 per digital copy…He is going for quantity readers over fewer who would/could shell out $27.95 for a book…

I’m betting he will get enough increase in numbers of readers over the vast internet to offset the cheaper price…and then some, maybe…But, I don’t know. I will be following up to find out the result…One thing for sure, he will be getting 50% to 80% of the digital sales price…which is probably approaching what he would get from the $27.95 hardcover price after big publishing and the associated companies take their cut…You know 80% of $1.99 vs 7% of $27.95…

This press release is from prweb.com:

Author takes bold move toward the future of publishing.


Award-winning novelist Gary Ponzo (pictured) is prepared to gamble his literary career on the strength of the growing digital book business. He’s turned down a print publishing deal for his novel, “A Touch of Deceit,” in order to publish it as an ebook on Amazon.

“I had to decide what’s more important to me,” Ponzo said. “Do I want profit or do I want readers. Inevitably I chose readers.”

The publishing company sold only hardcover books and the retail price was $27.95. Ponzo felt this was too much to ask in this economic environment. “I don’t want to throw the publisher under the bus, they’re a good honest company. They’re just stuck in an old business model. I felt uncomfortable asking my own mother to spend thirty bucks on my novel. It’s the digital age and I needed to adjust my thinking.”

Ponzo’s novel “A Touch of Deceit,” won the 2009 Southwest Writers Contest, Thriller category. He’s an award-winning author who’s published numerous short stories including two which were nominated for the very prestigious Pushcart Prize. His ebook is available as a digital download on Amazon for just $1.99.

“I spoke with author Karen McQuestion who’s sold over 36,000 ebooks on Amazon,” Ponzo said, “and she recommended I keep the price down. That’s the price she felt she had the most success with.”

“A Touch of Deceit,” is a thriller about FBI agent Nick Bracco who recruits his mafia-connected cousin to track down a terrorist in Washington D.C.

Media contact: Gary Ponzo
Website: http://www.garyponzo.com

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