My opinion is that contracts with publishers prior to the advent of digital e-books do NOT cover or include any rights to non-existent media at the time of said contract…John R. Austin (that’s me).
That’s this writers opinion for what it’s worth…Which means I believe that all rights to publish digitally remain with the writer NOT the print publisher.
Alison Flood of guardian.co.uk, and Ed Pilkington in guardian’s New York office, reported this ground-beaking news:
Publishers rage against Wylie’s ebook deal with Amazon
Wylie Agency’s deal to bypass conventional publishers for digital sales is sending shockwaves around the industry.
Fear and loathing among the movers and shakers of America’s publishing industry have reached new heights with both Random House and Macmillan denouncing the literary agent Andrew Wylie’s move into digital publishing.
Home to 700 authors and estates ranging from Philip Roth to John Updike, Jorge Luis Borges and Saul Bellow, the Wylie Agency shocked the publishing world yesterday when it announced the launch of Odyssey Editions. The initiative has been set up to sell ebook editions of modern classics – including Lolita, Fear and Loathing in Las Vegas and Updike’s Rabbit tetralogy – exclusively via Amazon’s Kindle store, leaving conventional publishers out of the picture.
The move provoked an immediate reaction from Random House, which publishes in print several of the authors involved with Odyssey Editions. The publisher fired off a letter to Amazon “disputing their rights to legally sell these titles”, which it said were “subject to active Random House publishing agreements”.
It went further, threatening that “on a worldwide basis”, it “will not be entering into any new English-language business agreements with the Wylie Agency until this situation is resolved”. It said the agency’s decision to sell ebooks exclusively to Amazon “for titles which are subject to active Random House agreements undermines our longstanding commitments to and investments in our authors, and it establishes this agency as our direct competitor.”
A Random House spokesman, Stuart Applebaum, told the Guardian that the severing of relations with Wylie would relate only to new book deals, while titles already in the pipeline would still go ahead. He accepted there was a risk involved for Random House, but argued that the stakes were higher for Wylie and his authors who would potentially lose a lucrative outlet for their work.
“It is not a decision that Random House reached lightly, but one that is unanimously agreed by our senior publishing colleagues in the US, Canada and the UK,” Applebaum said.
Wylie’s impressive client roster – which includes Martin Amis and Salman Rushdie as well as the estates of Hunter S Thompson, Norman Mailer and Evelyn Waugh – makes this a huge step for Random House, but one the publisher clearly felt was necessary.
At issue is who holds digital rights in older titles published before the advent of ebooks. Publishers argue that the ebook rights belong to them, and authors and agents respond that, if not specifically granted, the digital rights remain with the author.
Read more at original article here: http://alturl.com/4xuqi